New entrance to the historic building of the Victoria and Albert Museum

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British architect Sam Jacob made the entrance to the London Museum of Arts and Crafts out of ribbed glass, and the walls of the bathrooms out of terrazzo with shards of Wedgwood ceramics.< /p>New entrance to historic Victoria and Albert Museum

Architect Sam Jacob wanted the entrance to the museum building from Cromwell Road to be modern and at the same time not to argue with the historic building. To do this, we developed a structure that takes into account the proportions of the building and consists of three rows of glass tubes. At the lower level, their diameter is 120 millimeters, the higher the thinner the tubes. wp-content/uploads/2022/08/67ea27419a6cddf38749b33e32eba18e.jpg” width=”445″ height=”595″ class=”lazy-image__image _align-center” data-v-64ca9b5a=”1″ alt=”New entrance to historical building of the Victoria and Albert Museum” />

The glass tubes act like lenses, and the entrance area changes throughout the day as the intensity of daylight and its hues change, but remains transparent in any light.

New entrance to historic Victoria and Albert Museum

Adding dramatic effect is a huge arched window that dominates the entrance area and is as permeable to sunlight as the glass “tambour” below it. .png” />New Entrance to V&A Historic Building

In addition to the glass entrance structure, Sam Jacob designed a set of mobile stations that will be used to check luggage at the entrance.

New entrance to V&A Historic Building

Bathrooms have also been refurbished, specifically for the V&A Museum Alberta architect made colorful wall panels from scrap from the Stoke-on-Trent factory that makes Wedgwood V&A porcelain.

New entrance to historic Victoria and Albert Museum

700 kilograms of blue, gray, pink and black ceramic fragments were used on the walls of the museum toilets. “Terrazzo is a material that you see a lot in these spaces, so we tried to invent a really unusual kind of it,” explains Sam Jacob.

New entrance to historic Victoria and Albert Museum

Even when shattered, the signature colors of Wedgwood porcelain are recognizable, and it evokes a number of reflections – about the history of British arts and crafts design, about true and imaginary luxury, and about how we use precious objects.

“This it seems a bit perverse to use broken pottery in a museum where objects are usually meticulously cared for,” says the architect, but it is an interesting experiment in reusing materials.”

New entrance to the historical building of the Victoria and Albert Museum< ul class="related-entities-list__list" data-v-ec838c5e>

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